Welcome to the site on launch day!
It is my pleasure to kick off our weekly blog post on issues related to contemporary fiction reading and writing. Which, of course, has to begin with a definition of what contemporary fiction actually is. And that is what I’m going to be discussing today.
So what is contemporary fiction? There are numerous definitions and, as we like to think of ourselves as an inclusive lot here at Britfic, we seem to cover the whole range.
There’s contemporary fiction as a ‘genre’, normally encompassing ‘the leftovers’ of anything that doesn’t fall into a nice, neat category. But we don’t like to think of ourselves as leftovers and, indeed, our authors hail from a range of ‘genres’, including romance, crime, and fantasy.
Then there’s contemporary fiction defined as anything set in the present or very recent past. The present, however, very quickly slides to obsolescence and this then (rightly) begs the question of ‘when does contemporary fiction become historical fiction?’ Again, this is open for debate, and is one of the many topics we hope to be discussing on our YouTube channel over the coming months.
The other issue with a ‘present or very recent past’ definition is whether contemporary relates to setting, technology, or lifestyle. Not all of our novels are set in 2016, and not all of our novels are set in the current ‘era’ of smartphones and social media (but Britfic are on Facebook and Twitter). Does this not make us contemporary?
And then there is the definition, which is the one I prefer, that defines contemporary fiction on the basis of contemporary themes, and is more flexible in terms of setting. This allows for books set a decade or so ago, while still enveloping a broad spectrum of genres.
So how do you define contemporary fiction?
This post is brought to you by Christina Philippou.